On November 8, 2012, Lady Gaga released the original version of the song featuring her vocals, in which she performs the chorus and a verse. I'm not really too tight about it because I know we have something special." That's just the business side coming through and messing things up. We had a date, but we had to meet the deadline for the pre-order date. None of Gaga's contributions were ultimately featured on the album due to timing issues and creative differences, with Lamar stating: Eight days later, she announced that the song would no longer be released on the announced date and apologized to fans for the delay. On August 15, 2012, Gaga announced that she had collaborated with Lamar on another song recorded for Good Kid, M.A.A.D City entitled "Partynauseous", and that it would be released on September 6. Recorded for Lamar's second studio album Good Kid, M.A.A.D City (2012), "Bitch, Don't Kill My Vibe" originally featured vocals from American pop musician Lady Gaga. "Bitch, Don't Kill My Vibe" peaked at number 32 on the United States Billboard Hot 100 chart, also reaching the top ten on the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts. The song's music video, directed by The Lil Homie and OG Mike Mihail, notably ends with an abrupt cut to a black title screen reading "Death to Molly", intended to be a criticism by Lamar of glorification of the drug MDMA in contemporary hip hop music. A remix of "Bitch, Don't Kill My Vibe" featuring American rapper Jay-Z was sent to radio as the album's fifth single on March 21, 2013, with the original version and another remix featuring British singer Emeli Sandé later being released. It was originally intended to be a collaboration with American singer Lady Gaga, but her contributions were ultimately excluded from the final recording due to timing issues. The song, produced by frequent collaborator Sounwave of Top Dawg Entertainment in-house production team Digi+Phonics, heavily samples "Tiden Flyver", by Danish electronic group Boom Clap Bachelors. " Bitch, Don't Kill My Vibe" ( edited for radio as " Trick, Don't Kill My Vibe" or simply " Don't Kill My Vibe"), is a song by American rapper Kendrick Lamar, from his major-label debut studio album Good Kid, M.A.A.D City (2012). He continued, “It meant everything just off the fact I’ve been a fan since day one, so for him to say that I’m continuing the legacy and the culture of just the art of hip-hop, making a body of work that stands out and actually means something at the end of the day is a very huge accomplishment for me and confirmation of success.Problems playing this file? See media help. In an interview with Well Versed magazine about playing his album for 3000 in the studio, Lamar revealed, He stood on the couch, put his hand up and said, ‘This is golden.’ He was one of the first people I played the album for.” He couldn’t catch the vibe, lol.” He continued, “He was shooting the Jimi Hendrix movie….”Īndre 3000 was meant to appear on the track but was preoccupied.
#BITCH DONT KILL MY VIBE KENDRICK SERIES#
In a series of tweets, the label executive explained, “I remember trying to get 3 Stacks on ‘Bitch Don’t Kill My Vibe’. However, TDE (Top Dawg Entertainment) president, Punch, cleared up why. Many were confused why the Outkast legend was in the studio, considering he wasn’t credited for anything on the album. In 2012, a video of the ‘Money Trees’ rapper in the studio with Dr Dre and Andre 3000 surfaced. While making the album, Lamar had all his collaborators and contributors in the studio with him. Good Kid, m.A.A.d City was the Compton rapper’s solo smash and was the album that put him at the forefront of rap alongside the likes of J Cole and Drake. This 2011 body of work was executively produced by TDE’s Digi+Phonics, and only peaked at 113 on the Billboard 200. The lyricist had released a solo album only a year prior entitled Section.80. Prior to its release, as with all of his artists, Dr Dre worked closely with Lamar in the album’s creation and oversaw its production. The project has been certified as three times platinum by the RIAA and, to this day, is considered a classic. The body of work was supported by five singles, all of which debuted within the Top 40 and Good Kid, m.A.A.d City peaked at number two on the Billboard 200.
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